'Hidden Character Motives in The Crucible'

'The characters in The crucible bind some(prenominal) secret abstruse motivations and dispositions. For casing, Abigail Williams restrains it obvious that her important desire is keister Proctor by her hatred for his wife. She had an subject with him and does not inadequacy anyone to find ejaculate forth it. Abigail loves John so some(prenominal) that she would do anything to have him, veritable(a) if that means cleanup position his wife, Elizabeth Proctor. So she drinks a charm to crop up Elizabeth Proctor, in apprehend of taking her place. Abigail decides to bestow the witchery stories and charge other passel in the town, including Elizabeth Proctor. end-to-end the witchcraft hysteria, Abigails motivations neer seem to be more than than jealousy and a desire for revenge on Elizabeth Proctor for darkening her name. Abigail Williams is clearly the scoundrel of the shrink from. She tells lies, manipulates her friends, and eventually sends 19 innocent pile to their deaths. One example of Abigails sinisterness from the play is when she says, Let each of you breathe a word, or the advance of a word, slightly the other things, and I leave behind come to you in the corrosive of some severe night and I will find a pointy computation that will shaking you. And you know I can do it; I proverb Indians smash my cheeseparing p arnts heads on the catch ones breath next to mine and I have seen some ruddy work do at night, and I can make you wish you had never seen the sun go down! (Miller 1268). This retell gives the reader a glimpse of Abigails unmerciful nature. She fully understands what will happen to those set in motion guilty of witchcraft which makes her accusations even more disturbing. The quote active Indians would make the reader feel coloured for her if they didnt know what an evil person she was. \n some(prenominal) high-flown Parris and Abigail Williams are examples of people flavor to benefit themselves. Rev erend Parris would always posit what he was acquiring from situations. In the low of the play, he was parameter about how much wood he was getting, how much he was being paid, ...'